How many times do we read, read, and read our work again. Each time we can find something we missed the last time we read through the W-H-O-L-E manuscript. We get upset at the mistakes we noticed again and sometimes we are so used to seeing our manuscript, we do not read, rather glance over each page. If we use ‘track changes’ or the ‘balloon inserts,’ we might not even double-check them. Why? We did that the last time.
Still there are errors to clean up, names to keep straight, dates, ‘oh my’ the dates, and the seasons. The protagonist cannot be caught in her bikini with snow drifts piled beside the pool. Or the hero sweltering in his overcoat as the sun beats down on the pavement and he races to catch the thief.
Silly thoughts? Of course, but we all make mistakes, and then we hear via an email or received the manuscript back with “this still needs revising,” written in ink all over the first page. It becomes time for the hair-pulling exercise. Yes, our hands to our own head and a few yanks close to the roots.
So instead of going bald, try something new. As we start to read again, all 400 or so pages, look with the word VISION in mind. Each area showing red marks, balloon inserts or other identifying track changes, stop. Can we change this? Is that what we meant to say or show or were we directing our characters? Play around with each marked-up area and listen to what your characters say to you or even show you what can be done to make then more active, more alluring, and even more dangerous.
When we turn off the vision censor, we can let go and see a different setting, a new twist, another layer of the character that wasn’t there before. Maybe, just maybe, we peel away more layers and find the sequel to this manuscript. Then, as we continue with the Vision Process, we become more in step with our writing and our characters. We let our characters have free rein, and sometimes have to curb their intentions.
Is this REVISION? Yes, but with a new twist. We are listening to our characters, seeing improvements to our manuscript, but do we use everything? No. We make adjustments and modifications to our story, save some for the sequel. As we travel through each page, we review, reconsider, find expansions to our story. As we progress, we might even develop new plots to have our characters undertake or risk.
Revision now becomes a mission as we make corrections and let our characters express themselves in different gambles. This makes the VISION of REVISION work for our manuscript.
Happy Revisions. Happy Visions. Happy Writing.